{"id":95493,"date":"2024-01-17T10:51:41","date_gmt":"2024-01-17T10:51:41","guid":{"rendered":"https:\/\/www.covethouse.eu\/blog\/?p=95493"},"modified":"2024-01-17T10:51:41","modified_gmt":"2024-01-17T10:51:41","slug":"maisonobjet-rising-talents-awards-2024","status":"publish","type":"post","link":"https:\/\/www.covethouse.eu\/blog\/maisonobjet-rising-talents-awards-2024\/","title":{"rendered":"Maison&#038;Objet: The Rising Talents Awards 2024"},"content":{"rendered":"\n<p><a href=\"https:\/\/www.covethouse.eu\/inspirations\/multi-million-dollar-homes\/?utm_source=blog&amp;utm_medium=article-image&amp;utm_content=covethouseblog-mo24&amp;utm_campaign=mo24&amp;utm_term=mmachado\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95315\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2.jpg\" alt=\"Maison&amp;Objet: The Rising Talents Awards 2024\" width=\"850\" height=\"255\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2-300x90.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2-768x230.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2-640x192.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2-450x135.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2-225x68.jpg 225w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog_11111-2-20x6.jpg 20w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p>In 2024, <em><span style=\"text-decoration: underline;\"><strong>Maison&amp;Objet<\/strong><\/span><\/em> celebrates its thirtieth anniversary! It\u2019s time to look forward to the future. The <em><strong>Rising Talent Awards<\/strong> <\/em>are thus adopting a new format. Instead of distinguishing emerging talents from a single country, the selection honors young designers\/researchers for the relevance of their work in the face of <em><strong>digitalization<\/strong><\/em>, which is shaking up our lives and uses. <em>\u201cTwo words seemed obvious to us: High technology and Know-how,<\/em>\u201d comments <em><strong>Dereen O\u2019Sullivan<\/strong><\/em>, the Rising Talent Awards Manager for Maison&amp;Objet. The recent emergence of new processes, such as <em><strong>Artificial Intelligence<\/strong><\/em> or <em><strong>3D printing<\/strong><\/em>, offers designers an unprecedented field of adventure. This fertile fusion between know-how and digital innovation is at the heart of the general theme of Maison&amp;Objet 2024: <em><strong>\u201cTech Eden.\u201d<\/strong><\/em><\/p>\n<h3 style=\"text-align: center;\"><a href=\"https:\/\/www.covethouse.eu\/maison-et-objet-paris\/?utm_source=blog&amp;utm_medium=article-image&amp;utm_content=covethouseblog-mo24&amp;utm_campaign=mo24&amp;utm_term=mmachado\" target=\"_blank\" rel=\"noopener\" title=\"\">Discover Covet House at HALL 7 \u2014 STAND A45 AND J24<\/a><\/h3>\n<p style=\"text-align: center;\"><iframe loading=\"lazy\" title=\"YouTube video player\" src=\"https:\/\/www.youtube.com\/embed\/lgE1FFKFsWM?si=oM0_moRuFc7pB28H\" width=\"700\" height=\"400\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<h3 style=\"text-align: center;\">A Jury of Art, Science and Transmission Experts<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95494\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image001_JuryMembers_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p>The jury\u2019s composition and diversity illustrate a striking design trend: porosity with different universes. An exhibition curator, <strong>Jean de Loisy<\/strong>, comes from the art world. He is the Jury\u2019s President of the Liliane Bettencourt Prize (\u201cPrix Liliane Bettencourt pour l\u2019Intelligence de la Main\u201d) in 2021, former Director of the Paris School of Fine Arts and Director of the Palais de Tokyo. <strong>Li Edelkoort<\/strong> is a leading figure in fashion and design. <strong>St\u00e9phane Galerneau<\/strong>, President of Ateliers d\u2019Art de France, appointed this year\u2019s \u201cRising Talent Craft\u201d laureates. Because the Rising Talent Awards are also a platform for transmission, interior designer<strong> Lionel Jadot<\/strong>, who welcomes young artisans in his Zaventem Ateliers in Belgium, and Design Academy Eindhoven\u2019s Director <strong>Joseph Grima<\/strong> are both part of the jury. Two designers intimately linked to Maison&amp;Objet, <strong>Athime de Crecy<\/strong>, last year\u2019s Rising Talent Award Winner and <strong>Ramy Fischler<\/strong>, \u201cDesigner of the Year\u201d 2020, have also nominated their prot\u00e9g\u00e9s. <em>\u201cTechnologies are giving rise to a new generation of artisans who hybridize techniques and materials and thus advance the designers that we are,\u201d<\/em> concludes the latter.<em> \u201cThe future belongs to them.\u201d<\/em><\/p>\n<p><a href=\"https:\/\/www.covetedition.com\/coveted-edition-magazine-twenty-six-edition\/?utm_source=blog&amp;utm_medium=article-image&amp;utm_content=covethouseblog-mo24&amp;utm_campaign=mo24&amp;utm_term=mmachado\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95228\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1.jpg\" alt=\"\" width=\"850\" height=\"452\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1-300x160.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1-768x408.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1-640x340.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1-450x239.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2023\/12\/artigo-2-2-1-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<h3 style=\"text-align: center;\">THE TECH TALENTS<\/h3>\n<h3 style=\"text-align: center;\">Audrey Large, appointed by Joseph Grima<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95495\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image002-Audrey-Large_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p><strong>Audrey Large<\/strong> was born in France in 1994. A Master\u2019s graduate in Social Design from the Design Academy Eindhoven, the Netherlands, in 2017, she also studied at the \u00c9cole Sup\u00e9rieure d\u2019Art et de Design (ESAD) in Reims, France. Since 2019, she has exhibited at the prestigious Nilufar Gallery in Milan, Italy. Halfway between art and design, Audrey Large\u2019s work experiments with the fusion between the moving image and the static object. \u201cMy research tends to demonstrate that the world of images and materials are linked,\u201d she says.<em> \u201cI think it is no longer relevant to distinguish between objects\u2019 and images\u2019 design. We tend to think the immaterial would be misleading and to place the real at the top of the hierarchy. This separation no longer represents life; everything is connected in our daily existences.\u201d<\/em> Her creations, made in her Rotterdam workshop, lie at the crossroads between the material and the immaterial, as if straight out of a digitalized universe. <em>\u201cMy aesthetic choices disturb perception. I try to materialize the perceptual properties of the image with blurred, iridescent contours and surfaces that constantly change. My objects are not immediately useful, even tables or chandeliers. The shapes are never quite abstract. They seem unreal.\u201d<\/em><\/p>\n<h3 style=\"text-align: center;\">WINT Design Lab, appointed by Athime de Cr\u00e9cy<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95496\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image003-Wint_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p>Felix Rasehorn and Robin Hoske were both born in 1992. They met while studying design at the Wei\u00dfensee Art Academy in Berlin, Germany. Together, in 2019, they founded<strong> WINT Design Lab<\/strong>. In this studio\/laboratory, their designer skills are put to the service of researchers from all disciplines to write concrete scenarios, often based on abstract research. <em>\u201cWINT operates an extremely fertile synthesis between the most demanding technology and the most contemporary lifestyles,\u201d<\/em> says designer Athime de Cr\u00e9cy, who appointed the duo for this year\u2019s Rising Talents Awards. \u201cThey explore the essential questions of our time. Whether they deal with biomaterials, dematerialized interfaces or the physicality of algorithmic tools, their proposals are the most relevant I have seen since these questions interested design.\u201d <em>\u201cA designer\u2019s approach opens up possibilities,\u201d<\/em> explains Felix Rasehorn. \u201c<em>We work with technicians, biochemists, software developers, and materials scientists to find concrete paths for a more desirable and responsible future.\u201d<\/em> To their credit, a running jacket made from bio-materials. <em>\u201cThe textile industry uses too many synthetic materials, particularly plastic. In partnership with Minotype Technologies, we have developed this collagen-based jacket\u2019s structure derived from cows\u2019 intestinal tissue. This natural and recyclable material has the advantage of being very thin, waterproof and light.\u201d<\/em><\/p>\n<h3 style=\"text-align: center;\">Index Office, Nelson Fossey, appointed by Ramy Fischler<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95497\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image004-Index-Office_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p><strong>Nelson Fossey<\/strong>, born in 1989, graduated in Interior Architecture and Design at the \u00c9cole Camondo in 2014 and holds, since 2017, a Master\u2019s degree in Neo-industrial Design from the ENSCI\u2014Les Ateliers de Paris. He then became a resident at Les Ateliers de Paris, the city\u2019s talent incubator that allowed him to create Index Office (IO), his design studio, in 2019. Nelson Fossey\u2019s practice aims to build bridges between technology and know-how. His clients are institutions, brands and industrialists. For Lexon, IO has just designed the \u2018Orbe\u2019 lamp, the magnetic assembly of a cylindrical base on which a spherical orientable luminous headrest in the style of a cup-and-ball toy. The studio also signed \u2018Cell\u2019, a vase made in 3D printing guided by a digital program reproducing the growth of a stem by superposition of cells, allowing infinite variations. <em>\u201cThe studio\u2019s ambition is to use contemporary tools and integrate them into more artisanal processes,\u201d<\/em> explains Nelson Fossey. <em>\u201cThanks to technology, we can simplify the artisan\u2019s life at each manufacturing stage. In addition, the tools present in all studios allow projects to be tested very quickly and thus increase the creative potential by multiplying the experiments.\u201d<\/em> The studio has just produced the \u201cParis Innove\u201d trophies for the City of Paris. They were sculpted and milled from a block of dry earth by a numerically controlled machine, then enameled and annealed traditionally. Their \u2018IO lamp\u2019, made of bio-plastic, is 3D-printed on demand in their workshop, defining a new practice of high-tech craftsmanship.<\/p>\n<p><a href=\"https:\/\/www.covethouse.eu\/in-stock\/?utm_source=blog&amp;utm_medium=article-image&amp;utm_content=covethouseblog-mo24&amp;utm_campaign=mo24&amp;utm_term=mmachado\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95367\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3.jpg\" alt=\"\" width=\"850\" height=\"255\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3-300x90.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3-768x230.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3-640x192.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3-450x135.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3-225x68.jpg 225w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/banner-article-blog-yeyeyeyey-3-20x6.jpg 20w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<h3 style=\"text-align: center;\">TALENTS KNOW-HOW<\/h3>\n<h3 style=\"text-align: center;\">Aur\u00e9lie Hoegy appointed by Li Edelkoort<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95498\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image005-Aurelie-Hoegy-2_2-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p>Born in 1989, <strong>Aur\u00e9lie Hoegy<\/strong> obtained a diploma in Object Design from the \u00c9cole Sup\u00e9rieure d\u2019Art et de Design (ESAD) in Reims, France, and then a Master in Contextual Design from the Design Academy Eindhoven in the Netherlands. She then established her workshop in Paris, designing furniture flirting with the thin line between art and design. After cotton or latex, Aur\u00e9lie Hoegy works with rattan, with which she sculpts furniture, true functional works of art, with movement as a common thread, in osmosis between the object, the body and its environment. She learned the technique from contact with Indonesian artisans, with whom she spent an immersion stay. Li Edelkoort, who appointed her Rising Talent, praises her ability to promote a responsible, circular future, ethical practice and organic aesthetics. Already awarded with many prizes, significant museums have already acquired her pieces worldwide. In 2016, she stood out with the project \u2018The Dancers\u2019, which combined performance with dancers at the Palais de Tokyo in Paris with chairs where the fibers also danced in symbiosis. She continues with the \u2018Wild Fibres\u2019 project, which explores fiber in movement. Each piece is hand-sculpted in her workshop. <em>\u201cRattan work can be mechanized with difficulty. It is a living design. Handwork and unexpectedness give the creative experience a peculiar vibration.\u201d<\/em><\/p>\n<h3 style=\"text-align: center;\">Jenna Ka\u00ebs, appointed by Jean de Loisy<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95499\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image006-Jenna-Kaes_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p>Born in 1987, French designer<strong> Jenna Ka\u00ebs<\/strong> graduated from the Haute \u00c9cole des Arts du Rhin in Strasbourg, France, and the \u00c9cole Cantonale d\u2019Art de Lausanne (ECAL) Switzerland. In 2018 and 2019, she was a Les Ateliers de Paris resident before starting self-published works. She exhibits with the Southway Studio Gallery in Marseille, responds to public commissions, and is one of the collectible design talents published by the French Clich\u00e9 design label. Jenna Ka\u00ebs wants to be part of the tradition of Decorative Arts, with a preference for Funerary Art, a theme that is still taboo and little explored today. She thus studies the spiritual dimension of objects. She has just completed the \u2018Columbarium\u2019 of the historic La Chartreuse cemetery in Bordeaux in collaboration with the architect Martial Marquet and the landscaper Renan Rousselot. <em>\u201cDuring my studies, I questioned the use of objects,\u201d<\/em> she explains.<em> \u201cIt is always tangible with a table or a chair. Couldn\u2019t objects help us deal with the loss of a loved one? The real question was disengaging these religious objects to concentrate on the universal and spiritual aspects. I believe that symbolism and aesthetics can provide real help when it comes to the grieving process.\u201d<\/em> At Maison&amp;Objet, she will display, among other pieces, the \u2018Night Thoughts\u2019 project, an embroidery work on blankets created in collaboration with the Carmelite sisters of the Verdun convent in France. The project is a subtle nod to spirituality and the transition from reality to the dream realm.<\/p>\n<h3 style=\"text-align: center;\">Emma Cogn\u00e9, appointed by Lionel Jadot<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95500\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image007-Emma-Cogne_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p>Born in 1993<strong>, Emma Cogn\u00e9<\/strong> holds a Master\u2019s degree in Textile Design from the \u00c9cole Nationale Sup\u00e9rieure des Arts Visuels de La Cambre (ENSAV) in Belgium. Of French origin, she works in a former factory in Zaventem, near Brussels, in one of the workshops made available to a community of artisans by Designer and Interior Architect Lionel Jadot. Emma Cogn\u00e9 weaves plastic tubes, which she initially collected in the street or on construction sites and, more often, in factories. <em>\u201cThe polypropylene sheaths that I use are intended to protect electrical wires in our homes,\u201d<\/em> she explains.<em> \u201cThey are part of the invisible elements hidden in walls and floors. I reincorporate them into interiors by giving them an ornamental dimension.\u201d<\/em> In a very \u201cLow-Tech\u201d economy of means, Emma Cogn\u00e9 reinvented this industrial material to create zones of privacy and protection in the house. The frank and utilitarian colors find rhythm and poetry in her hands. \u201c<em>By weaving recycled pipes that I cut to make beads, I chose an elementary material and a process that requires no machine or loom. It is a reverse technology process because I only work with mass-produced materials, offering them another narrative.\u201d<\/em><\/p>\n<h3 style=\"text-align: center;\">Line &amp; Rapha\u00ebl, \u201cRising Talents Craft\u201d appointed by St\u00e9phane Galerneau<\/h3>\n<p><a href=\"https:\/\/www.covethouse.eu\/blog\/category\/news-events\/\" target=\"_blank\" rel=\"noopener\" title=\"\"><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-full wp-image-95501\" src=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0.jpg\" alt=\"\" width=\"850\" height=\"455\" srcset=\"https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0.jpg 850w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0-300x161.jpg 300w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0-768x411.jpg 768w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0-640x343.jpg 640w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0-450x241.jpg 450w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0-20x11.jpg 20w, https:\/\/www.covethouse.eu\/blog\/wp-content\/uploads\/2024\/01\/48-Dec-T-RTA__1120x600_image008-Line-Raphael_0-225x120.jpg 225w\" sizes=\"(max-width: 850px) 100vw, 850px\"><\/a><\/p>\n<p><strong>Rapha\u00ebl Cuevas<\/strong>, born in 1994, is a craftsman with a degree in carpentry and cabinetmaking. He then launched into the manufacture of tailor-made fittings and unique pieces of furniture or in small series. The studio Line &amp; Rapha\u00ebl was born from his encounter with Line Pierron. Born in 1978, Line graduated in Product Design from the \u00c9cole Sup\u00e9rieure d\u2019Art et de Design (ESAD) in Reims, France. A designer, Line is also passionate about 3D printing. She already ran her brand of decorative accessories, \u201cPrint me a sheep\u201d, a nod to Saint-Exup\u00e9ry, to highlight the impossible-to-manufacture shapes she managed to get out of her printer. Combining design, artisanal know-how and new technologies, Line and Rapha\u00ebl design and handcraft 3D marquetry furniture and ornaments with a futuristic and innovative design. <em>\u201cMarquetry is an ancient technique, but our approach is very new,\u201d<\/em> explains Rapha\u00ebl. \u201c<em>We moved it from 2D to 3D, in volume, with more complex shapes. Our furniture is like relief paintings. Since then, we have created unique pieces for individual clients or professionals. We hand-manufacture each piece in our workshop. Once the pattern is established, Line codes everything to perform digital cutting, which saves time and allows us to duplicate the patterns.\u201d \u201c3D liberates drawing,\u201d<\/em> says Line. <em>\u201cIt is a field of all possibilities. We still have so much to explore with it!\u201d.<\/em><\/p>\n<h3 style=\"text-align: center;\">Ready for <em><strong><span style=\"text-decoration: underline;\">Maison&amp;Objet<\/span><\/strong><\/em>? You can visit <a href=\"https:\/\/www.covethouse.eu\/maison-et-objet-paris\/?utm_source=blog&amp;utm_medium=article-image&amp;utm_content=covethouseblog-mo24&amp;utm_campaign=mo24&amp;utm_term=mmachado\" target=\"_blank\" rel=\"noopener\" title=\"\">Covet House at HALL 7 \u2014 STAND A45 AND J24<\/a>\n<\/h3>\n<h3 style=\"text-align: center;\">SEE ALSO<\/h3>\n<p style=\"text-align: center;\"><strong><a href=\"https:\/\/www.covethouse.eu\/blog\/paris-luxury-guide-maison-objet-2024\/\" target=\"_blank\" rel=\"noopener\" title=\"\">A Paris Luxury Guide For Maison et Objet 2024<\/a><\/strong><\/p>\n<p style=\"text-align: center;\">\/\/<\/p>\n<h4 style=\"text-align: center;\"><strong>What do you think? Did you like this article? Follow\u00a0<a title=\"\" href=\"https:\/\/www.covethouse.eu\/?utm_source=blogcovethouseVanessa&amp;utm_medium=articles_content=1imagens1000inspira%C3%A7%C3%B5es&amp;utm_campaign=covetblog\" target=\"_blank\" rel=\"noopener noreferrer\">Covet House<\/a>\u00a0on\u00a0<a title=\"\" href=\"https:\/\/www.facebook.com\/covetlounge\/\" target=\"_blank\" rel=\"noopener noreferrer\">Facebook<\/a>,\u00a0<a title=\"\" href=\"https:\/\/www.instagram.com\/covethouse_\/\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a>,\u00a0<a title=\"\" href=\"https:\/\/www.pinterest.pt\/covethouse_\/\" target=\"_blank\" rel=\"noopener noreferrer\">Pinterest\u00a0<\/a>and\u00a0<a title=\"\" href=\"https:\/\/twitter.com\/COVETHOUSE_\" target=\"_blank\" rel=\"noopener noreferrer\">Twitter<\/a>, we are here to give you the best interior design inspiration for your design projects and, never forget, celebrate design with friends like we do!<\/strong><\/h4>\n","protected":false},"excerpt":{"rendered":"<p>In 2024, Maison&amp;Objet celebrates its thirtieth anniversary! It\u2019s time to look forward to the future. The Rising Talent Awards are thus adopting a new format. Instead of distinguishing emerging talents from a single country, the selection honors young designers\/researchers for&hellip;<\/p>\n","protected":false},"author":4,"featured_media":95502,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[12],"tags":[2212,9035,9056,9057],"acf":[],"_links":{"self":[{"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/posts\/95493"}],"collection":[{"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/comments?post=95493"}],"version-history":[{"count":2,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/posts\/95493\/revisions"}],"predecessor-version":[{"id":95510,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/posts\/95493\/revisions\/95510"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/media\/95502"}],"wp:attachment":[{"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/media?parent=95493"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/categories?post=95493"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.covethouse.eu\/blog\/wp-json\/wp\/v2\/tags?post=95493"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}